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How can we characterize the cinematic

narrative, which is in a netbased enviroment no longer tied to chronological

sequences? How does actual information deform under the manipulating influence of
the viewer? The webproject JOURNEY TO THE PLANET OF NUCLEAR CHEWING GUM is formally based on experimental film, poetry texts and interactive netart,arranged in several layers. Digital images of different objects are assembled in the picture’s foreground and overlapping found and newly assorted footage. They can be rearranged randomly by drag and drop. Each movement of an object is linked to one individual sound snippet and a random subtitle. By interacting viewers create a strong varying narrative form which
manifests in the space between text, image and film.

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